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Show More. T he novels of Alberto Renault explore a similar preoccupation with postmodern Japanese culture as the pop cosmopolitan tendency within the centenary celebrations in Brazil. I LHI. IJ LH -'i. GLE Email-tri.
Both novels set out to capture the deterritorialized sensibility and transnational imaginary of a generation brought up in a globalized network society. The connection between these two cultural fascinations is constitutive of the discourse of virtual orientalism. And as with the comic discussed in chapter 2, anxieties about how cognitive and affective life is increasingly distributed across computer technologies are projected onto a fear of the monstrous vitality of images.
This belief in the life of images is projected onto Japanese culture.
Unable to display preview. Download preview PDF. Skip to main content. Advertisement Hide. Ekphrastic Anxiety in Virtual Brazil: Photographing Japan in the Fiction of Alberto Renault.
This process is experimental and the keywords may be updated as the learning algorithm improves. This is a preview of subscription content, log in to check access. Mitchell, Picture Theory: The University of Chicago Press, , Google Scholar. John Johnston in The Anti -Aesthetic: Bay Press, , Alberto Renault, A foto Rio de Janeiro: Editora Objetiva, , Tokyo New York, NY: Aperture Foundation, , — Johannes Fabian, Time and the Other: Columbia University Press, , xli.
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