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Ragazza o donna molto attraente my emphasis [very attractive girl or woman] 3. CS1 maint: Download pdf. News Discourse. No mention is made of translation, nor of the source language. Comparing foreign media coverage with Italian popular opinion Analisi Politica , the author posits that contrary to the prevailing belief, there is no great disparity between how Berlusconi is perceived international- ly and what his co-nationals think of him.
News narratives generate reality; when newspaper or media websites publish a story it becomes a commu- nicative event. Even with reined word searches on newspaper databases such as Nexis UK, the inal choice must be done manually to ind relevant and rich texts that can be analysed in some depth.
As Rubin and Rubin , point out there is no mechanical way to tease out shades of meaning. Language in social life, translating cultures From the sociolinguistic view taken in this study, language and social life are in- extricably tied. As cultural anthropologist Signorelli 14 October posits: In a word, they are rooted in his culture. Culled from a wiretapped conversation that was not transcribed, the al- leged slur was irst revealed in the Italian newspaper, Il Fatto Quotidiano Nicoli 10 September Diplomatic reverberations were felt and Italy sufered the repercus- sions on the European markets.
All translations are mine unless stated otherwise. In- termingled with accounts of prostitutes, bunga bunga, bribery and corruption, a crescendo of debauchery emerged that makes it increasingly diicult to separate the strands of discourse, the fact from iction in media frames which blur dis- tinctions between quality and popular press. First we note the familiar use of the irst name, which is unusual in a quality paper. Tab- loids use irst names and nicknames of celebrities as a way of creating familiarity.
Interpreted thus, the headline can be read: No reference is made to the source language or a translation, and the expression is reported directly in English in inverted commas. Traiggere con chiodi, inchiodare [To nail] Fissare nella mente, nella memoria [to ix] Volgare. Possedere sessualmente: Ingannare, fregare. Fottere, scopare, trombare.
No mention is made of translation, nor of the source language. As seen earlier, readers of British newspapers know that asterisks mask taboo words but are easily able to decode the message, and in this case, are aided by the evaluative epithets in the headline: Joking with his deputies Berlusconi re- portedly said: Si accettano dei suggeri- menti.
We accept any suggestions. To clarify this point, the denotative and connotative meanings are given below: Gnocca 1.
Organo genitale femminile, vagina. Ragazza, donna, molto sensuale e attraente.
Female genital organ, vagina. Young woman, very sensual and attractive]. De Mauro Gnocca. Donna molto vistosa ed attraente. A very attractive, eye-catching woman].
Coarse slang. To eat pussy: Sexual intercourse with a woman. A woman or women collectively, regarded as a source of sexual intercourse. OED Pussy.
A comparison of another pair of vulgar signiiers further emphasizes the lingua-cultural slippage: Its currency is restricted in the man- ner of other taboo words. Applied to a person, esp. OED Figa. Ragazza o donna molto attraente my emphasis [very attractive girl or woman] 3.
Bello, divertente, alla moda. Great, fun, cool. From this proposition, we now return to he Independent. Popham then observes: Here in Italy this goes unnoticed perhaps just a jokey headline in friendly newspapers but it surprises the British press.
As previously noted, the connotations of the anglophone term create translation efects that magnify the vulgarity of the source language expres- sion. We are not told if these MPs are Italian or English; therefore we do not know if the attributions are translations or not.
From a sociolinguistic perspective we note the difering attitudes between the two lingua-cultures towards signiiers pertaining to the female genitalia. But in the current climate of unbridled vulgarity in Italian political discourse,5 his turn of phrase does not shock to the Italian audience as it does the English-speaking world. In conclusion, if translation of Berlusconi is framed discourse, and framed discourse is a way to perpetuate stereotypes, are we seeing a double efect of translation?
Is the British Press employing Berlusconi-in- translation as a subterfuge, a legitimisation of national stereotypes, which sublim- inally adhere to sexist, racist and non-politically correct attitudes, despite the new taboos that should prohibit them? References Agnew, John A.
Baker, Mona. In Other Words: A Coursebook on Translation. Translation and Conlict. Bateson, Gregory. Steps to an Ecology of Mind. Chicago Univer- sity Press. Bednarek, Monika, and Helen Caple. News Discourse. Bell, Alan. Oxford and Cambridge: Bell, Alan, and Peter Garrett. Approaches to Media Discourse. Malden, MA and Oxford: Beller, Manfred, and Joep Leerssen eds. Benedetti, Amedeo. Il linguaggio e la retorica della Nuova Politica Italiana: Silvio Berlus- coni e Forza Italia.
Erga Edizioni. Translation in Global News. Bourdieu, Pierre. Masculine Domination. Polity Press. Caimotto, Maria Cristina. Conboy, Martin. Tabloid Britain. Corriere della Sera.
Cronin, Michael. Translation and Identity. Daily Star. De Mauro, Tullio. Il Dizionario della Lingua Italiana. Paravia Mondadori. Dijk, Teun A. A Plea for Diversity. Dinmore, Guy, and Giulia Segreti. Shaddap You Face. Epic Records. Doorslaer, Luc van. Toward Clariication of a Fractured Paradigm. Media Discourse.
Fairclough, Norman. Analysing Discourse: Textual Analysis for Social Research. Littizzetto grew up in the San Donato District in Turin where her family, originally from Bosconero , owned a milk and cheese shop.
Luciana graduated in at the Turin music school with a piano playing degree. She later obtained a Bachelor's degree from the University of Turin , at the Faculty of Humanities, and also attended an acting school in Moncalieri , close to Turin. She briefly worked as a school teacher, but kept her stand-up comedy and acting skills in check by performing at local theatres in Turin and its province.
Littizzetto subsequently worked as a voice actress, dubbing foreign soaps in Italian. Television appearances on The Maurizio Costanzo Show allowed her to eventually give up her teaching career and focus on her entertainer talents. As such, she had her first catchphrase: During the s, she worked mainly for Mediaset , debuting on the cabaret show Zelig. Since then, Littizzetto has created several famous characters and has entertained the Italian public with her fertile and varied television , film , theater and literary work.
Up to , Littizzetto authored 14 successful humor books. In recent years, together with TV personality Fabio Fazio on his TV show Che tempo che fa , she has entertained Italian audiences on prime time with her humorous remarks about social trends. She has also shed a light onto cultural, social and political topics, notably calling for a bill in Italy to protect women against sexual harassment. More recently, they voiced two characters for the Italian version of the movie Minions in In , Luciana Littizzetto was honored by the President of the Italian Republic, Giorgio Napolitano , with the prestigious De Sica Award, given for cultural and entertainment achievements.
In , Littizzetto co-hosted the prestigious Sanremo Music Festival alongside long-time colleague Fabio Fazio, the show gaining high audience shares. Littizzetto describes herself as an animal lover. She publicly supported gay rights in Italy. From Wikipedia, the free encyclopedia.